The premiere on the 1st of October, 2020 by the Latvian National symphony orchestra and conducor Andris Poga at The Great Guild Hall, Riga.
Longing. Flashing. Bonding
for symphony orchestra / 2020 / 13'00
For chamber orchestra / 2019 / 20`00
For orchestra / 2018 / 10'00
For chamber orchestra, 4 ch electronics with text and real-time projections / 2017 / 7'00
DIALEXICA for chamber orchestra, 4 ch electronics with text and real-time projections (2017) juxtapose words of opposite meanings from day-to-day vocabulary, entering three generations: childhood, maturity and old age.
For orchestra and 5 voices / 2018 / 3'00
For brass orchestra and electronics / 2015 / 6`44
Chamber symphony / 2014 / 23`00
For string ochestra / 2013 / 09`50
for electronics / 2018 / 2`28
For electronics / 2017 / 04`10
The shape of the ”Cadavre Exquis III” (Rotating
Corpse III, 2017 ) for electronics unfold as a rotating
spiral of consciously disconnected meanings that tend
to unite as musically compatible molecules, thus with
each step opening a larger 'geographical' space for
further associations and imagery.
The elements of the soundscape: male voice (Jayde Will, Nebraska,
U.S.A.), female voice (Maria, Azerbaijan, recorded by Andrejs Eigus), poetry
(Semion Khanin, LV), voices of a crowd of pride parade in the
streets of Riga (recorded by Andrejs Eigus), radio and synthesized sounds, sounds
of percussion (Julian Pellegrini, FR), ronda and other
new instruments (invented by Arturs Punte, LV),
saxophone (Arvydas Kazlauskas, LV), bass guitar
(Eriks Kirsfelds, LV), double bass (Stanislavs Judins,
For electronics / 2013 / 02`35
For electronics / 2013 / 05`00
For electronics / 2011/ 04`00
Already since more than a year the whole world fights hand in hand against one enemy -- invisible, sly, versatile and dangerous -- called Covid-19 that most literally takes our breath away. Every day the whole media and the main part of daily news is being filled with the information about this virus and its consequences. And still there is one part of us that feels too safe as long as we have no symptoms. On the other side of the society there are people that haven't left their homes for a whole year because of the huge fear from the unknown beast. This project is an attempt to raise the society's awareness through the fusion of arts and science. On one hand the visualization and understanding of the process of the infection in the cognitive level through arts and music helps to loosen the shock-induced paralysis and on the other hand the artistically processed knowledge raises awareness on the unconscious level and shows the attacker as real and co-existing. Our goal is to bring this artwork, which is about 7-10 minutes long, to a wide audience, that may not currently have access to the live music and art locally, but has access to the viral world,
through the distribution of this material on the Internet (YouTube, Vimeo, etc.).
Science (Marija Sorokina): visualization and modeling of the ACE2 and Spike protein bound and virus mutations https://www.researchgate.net/profile/Marija-Sorokina
Music (Linda Leimane): sound mutation from one acoustic voice into the electronically processed and multiplicated crowd
Voice (Helena Sorokina): mutation from spoken voice into singing and extended vocal techniques including multiphonics
Video (Viktors Keino): mutation of the scientifical model designed by Marija Sorokina into a fascinating and constantly changing world out of protein models' particles https://vimeo.com/wickiss?fbclid=IwAR2bsooCQDxdzcr-IRPAkOy78uR7CcWP5QQYKFM42hdLQBgcoMIjj2gVoH4
Inter – undefined space between the consciousness and unconsciousness
Voicing – luxury of being possible to use breath not only for existential but also for artistic purposes
Sp – Spike protein (viral enemy)
ACE – angiotensin converting enzyme 2 or ACE2 (human entrance door for the virus that can be open or closed)
Global outbreak of Covid-19 pandemic struck the world posing a threat to global health and economy. Covid-19 likewise as flu and many other viruses is an RNA virus. These viruses are known to change in a rapid way. The changes happen during replication, or "copying" of the viral genetic code. These changes are called "mutations" and the viral particles with modified genetic code are called "variants". Some of these variants are more infectious as the original virus. In case of Covid-19, infection starts with binding of the virus to a human cell. This binding is enabled through the huge viral Spike protein which protrudes from the viral membrane into the outer space. Spike protein binds human protein, angiotensin converting enzyme 2 (ACE2), the protein which serves as an entry point for the coronavirus to enter and infect humans . Therefore, mutations of the Spike protein are the source of the highest threat to human health. At the moment, scientists around the world are focusing on the investigation of mutations happening in Covid-19 as well as on analyzation of ACE2 protein mutations which can be found in human population .
Our team member Marija Sorokina with her co-workers and co-operators at the University of Halle started research on this topic in the March 2020. In their work they build models of variants of ACE2 bound to Spike protein refined with short molecular dynamics' simulations.
This research led already to two publications focused on mutations of ACE2 which can be found in human population  as well as in various animals . This work will accelerate the design of therapeutics against SARS-CoV-2 as well as contribute to prevention of possible future coronaviruses outbreaks. http://www.who.int/news-room/feature-stories/detail/the-effects-of-virus-variants-on-covid-19-vaccines?
 M. Sorokina et al. (2020). Sci Data 7, 309.
 JPGLM Rodrigues et al. (2020). PLoS Comput Biol 16, 12.
Composer Linda Leimane in a close and continuous collaboration with the classical experimental contemporary singer, performer and extended vocal techniques' explorer and researcher Helena Sorokina (alto) is going to explore the voice down to its "molecules" (or bits) thus obtaining a vast field of resources for further mutational processes in a new and hybrid audiovisual work, where four different media -- acoustic voice, electronics, science and video art -- closely converge. Pure voice with the powerful breath, that can be seen as a pure luxury in these times, when so many people are fighting for their lives and struggling with breathing, will be subject to extension from the acoustic into the digital realm via the use of the electronic processing techniques based on segmentation, fragmentation and reconstruction of sounds such as scrubbing, blocks technique, slicing, granular synthesis and other. Different spatialization configurations will play an important role in diffusion of the voice, and the core of the electronics will be nothing but a voice in its purest form, traversing the timeline through various algorithms of mutations, gradually multiplicating in a total polyphony. By stretching, molding and transforming the continuum of sonic events, we will modulate to a new perception based in motion within timbre. The singer will be equipped with sensors connected to her body providing the digital data for mutations.
The video artist Viktors Keino will provide bold visual experience, creating space for the mutational processes to unfold in time, both streaming the digital data of the singer's body real-time and using the scientific data of ACE2 as the starting point for visual forms, colors and textures.
for harpsichord and electronics / 2020 / 5`30
For percussion and electronics/ 2019 / 03`30
Geometry of Endless Solution
For acoustic and electric cello, bass guitar, self-oscillating instruments, electronics with projections / 2018 / 25`00
Débris de Miroir
For electric cello, bass guitar and electronics / 2017 / 04`32
For cello and electronics / 2013 / 06`42
for flute, clarinet, harp, piano, percussion, violoncello, double bass / 2021 / 20'00
Architectonics of A Crystal Soul
for violin solo and ensemble /flute, bass clarinet, violoncello, piano / 2021 / 15'00
For violin and piano / 2019 / 02`00
For alto flute, bass clarinet, oboe, violin, viola, cello, piano and percussion / 2018 / 05`30
The octet "Ophelia" depicts the drowning character of Ophelia from Shakespear's "Hamlet". The action of the girl's drowning here is a metaphor for the hypnotic transition of different states of consciousness. The source of inspiration has been the technique of hypnosis, where attention is being focused on specific visual, acoustic and sensual impressions – a certain amount of time on each, after which a new cycle begins, leading the process towards gradually smaller temporal proportions, until finally the trance state is being triggered. My desire is to find a particular sensation of the liquid element – flickering and pulsating water–, by progressively diving in deeper perspective of consciousness. The form of "Ophelia" unfolds from clear structures to quasi hypnotic openness – substance of data, hidden from the day-to-day mind.
For cello, piano and percussion / 2015 / 06`48
For trumpet and percussion / 2015 / 05`30
For violin, oboe, cello and piano / 2014 / 06`54
Objects and Moods
For violin and piano / 2014 / 07`10
Two harps and accordion / 2008 / 04`10
For Li Bond exhibition SEASON 2 - EPISODES / 2017 / 50`00
Sound in collaboration with Artūrs Punte at the art gallery Arsenāls 9.08.2019. - 16.09.2019. Scenography / Vilnis Putrāms, Video / Rihards Gēcis / idea, voice, performances / Li Bond.
For Kaspars Lielgalvis photo and video animations exhibition / 2017 / 15`00
03.08.2017 - 27.08.2017. at the Concert hall Great Amber, Liepāja
For Artūrs Punte poetry video / 2012 / 04`21